It’s about that time again: posting time, or in truth, well past it. I tell myself I should post something here every three to four weeks, though I rarely seem to meet the deadline. I could blame this on all types of distractions and what-nots, though it really boils down to two things: (1) I forget, and (2) when I actually remember it’s time to post something, I put it off. Tomorrow is always another day, and then the tomorrow that follows it.
I’ve made some progress on the next book . . . and I hesitate to say any more than that. There is still plenty to do, and I don’t want to go throwing potential release dates around yet. The path is always rife with roadblocks, and I imagine I’ll hit one or two before the end. I can see a bit further ahead with this one than I have in the past—always a good thing—though one still must travel the distance.
While considering what to write about for the rest of this post, I recalled an article I discovered a few weeks ago. The piece was about a prize-winning author who has been accused of either (A) using AI to manufacture prose or (B) not being an actual person at all. I have harped and crowed about generative AI in previous posts, so I am not going to focus on that bit. Rather, I wanted to highlight some of the criteria referenced for determining whether this author is in fact flesh and blood.
The article stated that this particular writer had next-to-no social media presence (I am paraphrasing from memory), which supposedly constituted a red flag. My thought was, so what? Do authors need to subject themselves to the myriad offenses of Big Tech companies to be considered authors? Are humans required to do so to be considered human?
You may have noticed I do not keep profiles on any of the big name social media platforms (apart from Goodreads—I find Goodreads’s cause more noble), nor have I since circa 2012. I looked into it when I was first getting ready to publish, and I did not like what I found. The amount of personal data such platforms expect you to provide is Orwellian—A three-dimensional mapping of your face? Seriously?—and for an author looking to maintain a degree of personal privacy, it was nothing short of a deal breaker. I would rather air my thoughts on this humble site than allow the data-mongers to sell my stats off to the highest bidder. You’ve heard the saying, right? If a product is free, then you are the product?
Offenders will claim they are collecting such information in the name of security, and whether you choose to believe that is your prerogative. Cybersecurity is no joke in the modern world, and I don’t doubt that is at least part of the equation. But how much is it worth? Do you have to be of a certain age to value privacy nowadays? Should we have to forfeit it altogether to access so-called public forums?
For the record, I am inclined to believe the award-winning author in question was likely a cheat (there were other notable tells), along with a boatload of others who have managed to slip through the cracks. Writing a book is no walk in the park. It takes time, patience, and determination, not to mention a fair degree of knowhow. Society is full of wannabes, and thanks to AI, they now have an easy workaround.
But choosing privacy over the Big Tech data-traps should not automatically lead to questions of one’s validity. Pen names exist for a reason, and they existed long before corporations sought to commodify personal information. Some of us would prefer to keep our private lives out of the public sphere, and while the data-brokers might frown on such behavior, the literary world should not.
I have to wonder what Mark Twain would have made of all this. Or J.D. Salinger.
Until next time,
Cal